Wednesday (14 February 2007)
12:30-2 pm (New York Suite, 4th floor Hilton) Memorial gathering to commemorate two pioneering Queer Caucus for Art activists: Tee Corinne and Joe Ansell
Thursday (15 February 2007)
9:30-12 noon (East Ballroom, Hilton) “What’s love got to do with it? the myth and politics of love in art and art history” - chaired by Norma Broude and Mary D. Garrard
12:30-2 pm (Madison Suite, Hilton) “The homoerotics of Bacchus: John Gibson and Simeon Solomon in Victorian Rome” - paper by Roberto Ferrari on panel sponsored by Association of Historians of Nineteenth-Century Art
2:30-5 pm (West Ballroom, Hilton) “The ties that bind? homosocial collaboration in American art” - chaired by Alison Boylan and Elizabeth Lee
5-7 pm (Beekman Parlor, Hilton) Caucus business meeting
7-9 pm (LGBT Community Center, 208 W. 13th St. www.gaycenter.org) Reception for the artists in “Mother, may I?” exhibition
Friday (16 February 2007)
9:30-12 noon (Petit Trianon, Hilton) “Troubling the waters: homoeroticism and the politics of identity in black visual culture” - chaired by James Smalls
9:30-12 noon (Gramercy A, Hilton) “Gender and homosexuality: finding our grandparents, teaching our parents” - paper by Jim Saslow on panel sponsored by Italian Art Society
2:30-5 pm (Rendezvous Trianon, Hilton) “Love/sick” - chaired by Tina Takemoto and Elizabeth Stephens
Saturday (17 February 2007)
12:30-2 pm (Sutton Parlor North, Hilton) “Art partners: the erotics of collaboration” - chaired by Harmony Hammond and Tirza Latimer
Full listings of conference programs, with speakers and titles, are available at collegeart.org
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Curator’s Preview by Sheila Pepe:
“MOTHER, MAY I?” marks the return of the Queer Caucus for Art back to NYC for its annual conference. It is an exhibition with a fixed gaze on the inter-generational relationships in art and life. It’s about permission and precedent: in making art, bending gender, and claiming the family we choose. Over twenty-five artists will participate, choosing “art” mothers and children, queering traditional notions of generation, sex and family.
Painter Blaine Anderson chooses multi-disciplined artist Ernesto Pujol to mother him. Shelly Marlow chooses her biological mother and quilter, Beatrice Marlow. Larry Schulte chooses his late aunt, Mae Morrison as the mother of his artist’s life. Photographer and mother Allen Frame picks Jeanine Oleson as his art daughter. Carrie Moyer claims Harmony Hammond as her lesbian painting mom. Photographer Laurie Toby Edison honors a relationship of mutual mothering, choosing the work of the late, great Tee Corinne.
Other pairings of the exhibition (still under construction) with “mother” listed first: