Aberth, Susan L. Leonora Carrington: surrealism, alchemy and art. London: Lund Humphries, 2004. 160 p. ISBN 0-85331-908-1 ($60.00)
Alago, Michael. Michael Alago: rough gods. New York: [self-published], 2005. 64 p. $20 from Michael Alago, 270 West 17th St., #15E, New York 10011
Amy, Michael, “Edith Isaac-Rose at Phyllis Kind,” Art in America, Feb. 2005, p. 132
Ansell, Joseph P. Arthur Szyk: artist, Jew, Pole. Oxford and Portland, Or.: Littman Library of Jewish Civilization, 2004. 332 p. ISBN 1-874774-94-3
Avgikos, Jan, “Gilbert & George [at] Lehmann Maupin/Sonnabend Gallery, New York,” Artforum, v. 43, no. 7 (Mar. 2005), p. 238
Ayers, Robert, “Gilbert & George [at] Sonnabend and Lehmann Maupin,” Art news, v. 104, no. 2 (Feb. 2005), p. 133
Bankowsky, Jack, “‘East Village USA’ at New Museum of Contemporary Art, New York,” Artforum, v. 43, no. 8 (Apr. 2005), p. 178-180
Basquiat, Jean Michel. Basquiat. Edited by Marc Meyer, co-curated and with essays by Fred Hoffman, Franklin Sirmans, and Kellie Jones. Brooklyn: Brooklyn Museum; London and New York: Merrell, 2005. 224 p. ISBN 1-85894-287-X (trade) ISBN 0872731529 (pbk)
Beard, Mark. Mark Beard: works by “Bruce Sargeant” and his circle. New Haven: Jonathan Edwards College Master’s House, Yale University, 2005. 63 p. ISBN 0-9723669-2-X With facsimile of imagined exhibition catalog and CD of songs; in conjunction with exhibition, Jan.-Mar. 2005
Bell, Chris, “[review of] Freedom in this village: twenty-five years of Black gay men’s wriging, 1979 to the present edited by E. Lynn Harris, Carroll & Graf, 461 pages, $15.95,” The gay & lesbian review, v. 12, no. 3 (May-June 2005), p. 47
Bell, Chris, “Sex, truth, and videotape,” The gay & lesbian review, v. 12, no. 3 (May-June 2005), p. 46-47. Review of The AIDS crisis is ridiculous and other writings, 1986-2003 by Gregg Bordowitz (MIT Press)
Berg, Henning von, “Naked in Berlin with Henning von Berg,” DNA, #61 (Feb. 2005), p. 42-46. Photo essay
Bernstein, Fred A., “He built the future,” The advocate, #933 (Mar. 1, 2005), p. 60, 62-63. On Philip Johnson
Bowery, Leigh. Take a Bowery: the art and, larger than, life of Leigh Bowery. Curators: Gary Carsley, Russel Storer, editor: Vevienne Webb. 184 p. Sydney: Museum of Contemporary Art, 2004. ISBN 1875632905 (pbk)
Bronski, Michael, “Notes on ‘Susan’: would Susan Sontag have been as famous if she’d come out as a lesbian? Doubtful,” The gully, Feb. 19. 2005. Online at www.thegully.com
Broude, Norma, and Mary D. Garrard, eds. Reclaiming female agency: feminist art history after postmodernism. Berkeley: University of California Press, 2005. 478 p. ISBN 0-520-24251-3 (cloth) ISBN 0-520-24252-1 (pbk)
Bui, Phong, “Joe,” The Brooklyn rail, Feb. 2005, p. 29. Review of Joe: a memoir of Joe Brainard by Ron Padgett (Coffee House Press, Minneapolis)
Burns, Sarah, “Ordering the artist’s body: Thomas Eakins’s acts of self-portrayal,” American art, v. 19, no. 1 (spring 2005), p. 82-107
Burton, Johanna, “T.J. Wilcox [at] Metro Pictures, New York,” Artforum, v. 43, no. 8 (Apr. 2005), p. 188
Bussel, Abby, ”The tastemaker,” Architecture, v. 93, no. 3 (Mar. 2005), p. 24-25. Obituary of Philip Johnson
Cassidy, Donna. Marsden Hartley: race, region, and nation. Hanover: University of New Hampshire Press, 2005. 448 p. ISBN 1-58465-446-6 ($39.95) Chapter 7 is entitled “The working-class male body: masculinity, homosexuality, and nation”
Castro, Rick. 13 years of bondage: the photography of Rick Castro. Text by Edward Lucie-Smith, Chuck Renslow, Catherine Johnson, Catherine Johnson, and the artist. Hollywood, CA: Fluxion, 2004. 128 p. ISBN 0-9572129-4-4 ($46.00)
Clark, Philip, “Sights to behold,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 45. Review of The queer encyclopedia of the visual arts edited by Claude J. Summers (Cleis Press)
Clarke, John R. Art in the lives of ordinary Romans: visual representation and non-elite viewers in Italy, 100 B.C.-A.D. 315. Berkeley: University of California Press, 2003. 383 p. ISBN 0-520-21976-7
Colman, David, “Forming art with one eye on nature,” New York times, Jan. 23, 2005, p. ST 6
Cooper, Dennis, “John Waters, under normal circumstances,” Bomb, no. 87 (spring 2004), p. 22-29
Cooper, Emmanuel. Male bodies: a photographic history of the nude. Munich: Prestel, 2004. 144 p. ISBN 3791330543
Corinne, Tee A., “Tee A. Corinne: zippered metaphors,” Bloom, v. 2, no. 1 (spring 2005), portfolio and statement
Cotter, Holland, “A different kind of never-never land,” New York times, May 3, 2005, p. E5. On “Can I get a witness” at Longwood Art Gallery @ Hostos, Bronx, NY, curated by Dean Daderko
Cotter, Holland, “’Log cabin’ [at] Artists Space, 38 Greene Street, SoHo, through Feb. 26,” New York times, Jan. 28, 2005, p. E41
Cotter, Holland, “A sensualist’s odd ascetic aesthetic,” New York times, Feb. 4, 2005, p. E35, E37. On “Cy Twombly” at the Whitney Museum of American Art, New York
Daderko, Dean, “Magic mushrooms: Jim Drain’s knitted sculptures knowingly evoke the lost spirit of the ’60s,” Gay city news (NYC), Apr. 14-20,. 2005, p. 17, 23
D’Agostino, Stephen, “Foreplay with a brush,” New York blade, Apr. 15, 2005, p. 27. On works by Steve Frim in “From contour to watercolor: men” at Pegasus, 119 E. 60th St., New York
Dalí, Salvador. Sebastian’s arrows: letters and mementos of Salvador Dalí and Federico García Lorca. Edited, translated, annotated, and with a prologue by Christopher Maurer. Chicago: Swan Isle Press, 2004. 231 p. ISBN 0967880882
Danto, Arthur C., “Passion play,” Arforum, v. 43, no. 7 (Mar. 2005), p. 189. On Susan Sontag
Davis, Lisa Selin, “Gregg Araki gets mysterious,” The independent, v. 28, no. 4 (May 2005), p. 32-35. Araki makes “films for what might be called the post-preference generation -- kids who are not concerned about categories of sexuality”
Dehner, Durk, “Tom of Finland’s influence on fashion: before there was Gucci or Gaultier, there was Tom of Finland,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 15 (winter 2005), p. 15-17
Delgado, Dan, “Imagining male nude photographs from a century ago: photographer/author James Spada turns attention from Barbra Streisand to ‘Edwardian men’,” In newsweekly (Boston), v. 14, no. 22 (Jan. 19, 2005), p. 31
Dellsperger, Brice. Ladies and gentlemen, Brice Dellsperger. 8th ed. in the dvd’art collection, contact Michèle Maillet, art-netart www.art-netart.com
Doan, William, “And the winner is ...,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 48-49. Review of Champion: Walter Kundzicz edited by Reed Massengill (Goliath Verlag)
Doan, William, “Mirror life,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 49-50. Review of American Adonis: Tony Sansone, the first male physique icon by John Massey (Universe Publishing)
Doan, William, “Rare, well done,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 51. Review of Rare flesh, photographs by David E. Armstrong, text by Clive Barker (Universe Publishing)
Doan, William, “Recording angel,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 47-48. Review of The male ideal: Lon of New York and the masculine physique (Universe Publishing)
Dunbar, Randy, “Study of man,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 50-51. Review of Male bodies: a photographic history of the nude by Emmanuel Cooper (Prestel)
Ebony, David, “Harold Stevenson at Mitchell Algus,” Art in America, Mar. 2005, p. 139-140
Emin, Deborah, “Art and commerce: the disquieting experience of Jean-Michel Basquiat at the Brooklyn Museum,” Gay city news (NYC), Apr. 28-May 4, 1005, p. 21, 23
Fairbrother, Trevor, “Gary Schneider: facing time,” Art in America, Feb. 2005, p. 112-115, 143. Review of “Gary Schneider: portraits” at Sackler Museum, Harvard and Contemporary Art Museum, Honolulu
Falconer, Morgan, “The man who wasn’t there,” Art review (London), v. 56 (Mar. 2005), p. 31. On Robert Gober, his show at Matthew Marks Gallery in New York, and prices for his works
Ferber, Lawrence, “Designing ‘Otherworld’,” Philadelphia gay news, Mar. 25-31, 2005, p. 81. On Phil Jimenez and his comic strip “Otherworld”
Ferber, Lawrence, “Out artist pens comic book series,” Philadelphia gay news, Mar. 25-31, 2005, p. 86, 72. On Phil Jimenez and his “Otherworld”
Foster, Hal, “American gothic,” Artforum, v. 43, no. 9 (May 2005), p. 222-225. On Robert Gober and his show at Matthew Marks Gallery, New York
Frame, Allen, “Altered images,” Village voice, Feb. 2-8, 2005, p. 12. On the works of Darrel Ellis in a group show at Nicole Klagsbrun Gallery, New York
Frank, Peter, “David Hockney [at] L.A. Louver, Venice, California,” Art news, v. 104, no. 5 (May 2005), p. 148
Frohlich, Margaret, “Pushing the envelope,” Lambda book report, v. 13, no. 6-8 (Jan.-Mar. 2005), p. 53-54. Review of Derek Jarman and lyric film: the mirror and the sea by Steven Dillon (University of Texas Press)
Gallo, Peter, “The enduring ephemera of General Idea,” Art in America, Mar. 2005, p. 80-83. On the show at Blackwood Gallery, University of Toronto at Mississauga
Gallo, Peter, “Report from Montreal: Narcissus of modernism,” Art in America, Apr. 2005, p. 69, 71, 73. On the Cocteau exhibition at the Musée des beaux-arts
Gates, Anita, “The many fascinations of Frida Kahlo,” New York times, Mar. 23, 2005, p. E3. Review of PBS documentary “The life and times of Frida Kahlo” (directed, produced and written by Amy Stechler)
Gefter, Philip, “Culture in context: photographs in Vince Aletti’s magazine collection,” Aperture, issue no. 178 (spring 2005), p. 58-69
Glueck, Grace, “‘Stroke!: Beauford Delaney, Norman Lewis and Alma Thomas’ [at] Michael Rosenfeld Gallery, 24 West 57th Street, Manhattan, through March 12,” New York times, Jan. 21, 2005, p. E37
Gober, Robert. A Robert Gober lexicon. Essay by Brenda Richardson. Göttingen: Steidl, 2005. 2 v. (135 p., 50 p.) ISBN 3-86521-121-6 : $58.00
Gober, Robert, “Behind the seams,” Artforum, v. 42, no. 10 (summer 2004), p. 210. Gober describes his reaction to minimalist works, in particular those of Carl Andre and Donald Judd
Goldberger, Paul, “Philip Johnson is dead at 98; architecture’s restless intellect,” New York times, Jan. 27, 2005, p. 1, C18-19
Gumpert, Lynn, “Candid camera: a contemporary art show provides a fresh portrait of the people of the Middle East,” NYU alumni magazine, isse #4 (spring 2005), p. 26-27. On “Mapping/sitting” at Grey Art Gallery, NYU
Hafif, Marcia, and Stephen Westfall, “Remembering Agnes Martin (1912-2004),” The Brooklyn rail, Feb. 2005, p. 23
Hainley, Bruce, “Larry Clark [at] International Center for Photography, New York,” Artforum, v. 43, no. 9 (May 2005), p. 243
Harris, Jane, “Gallery as chapel, where politics, sexuality, and religion converge: Robert Gober [at] Matthew Marks Gallery, 522 West 22nd Street, through April 23,” Village voice, Mar. 23-29, 2005, p. 80
Harris, Jane, “A stomping ground for Goicolea’s band of merry pranksters,” Village voice, Apr. 27-May 3, 2005, p. 74. Review of “Anthony Goicolea: sheltered life” at Postmasters Gallery, New York
Harris, Susan, “Joan Snyder at Betty Cuningham and Alexandre,” Art in America, Apr. 2005, p. 146
Harrison, Martin. In camera--Francis Bacon: photography, film and the practice of painting. London and New York: Thames and Hudson, 2005. 256 p. ISBN 0-500-23820-0 (£35)
Heartney, Eleanor, “Gilbert & George at Sonnabend and Lehmann Maupin,” Art in America, Feb. 2005, p. 123-124
Herrmann, Matthias. Matthias Herrmann: cocks 1992-2003. [Place unknown]: Casa Editrice Tutti i Santi, 2004. 64 p. Essay by Peter Weiermair in German and English
Higgs, Matthew, and Kevin Killian and David Robbins. Likeness: portraits of artists by other artists. San Francisco: CCA Wattis Institute for Contemporary Arts; New York: Independent Curators International, 2004. 71 p. ISBN 0972508031. Essay by Kevin Killian begins “I’d give the world to have been photographed by Carl Van Vechten, but I was only a little boy when he died and hadn’t done anything yet to distinguish myself as a homosexual or a modernist”
Hilliard, David. David Hilliard: photographs. Text by Charlotte Cotton and Vince Aletti. New York: Aperture, 2005. ISBN 1931788588 Hirsch, Faye, “David Wojnarowicz at P.P.O.W. and Roth Horowitz,” Art in America, Apr. 2005, p. 143-144
Holliday, Frank, “Sin originally: Robert Gober creates sacred tableaux to explore the psychological horrors of religious tyranny,” Gay city news (NYC), Mar. 23-30, 2005, p. 23, 33. On Gober show at Matthew Marks Gallery, New York
Hopf, Rinaldo. Rinaldo Hopf, subversiv: Fotografien/photographs 1988-2004. Text in German and English by Thomas W. Sokolowski and Ralf König. Tübingen: Konkursbuch Verlag, Claudia Gehrke, 2004. 124 p. ISBN 3-88769-333-7
Israel, Kobi, “Intimate strangers,” Gay times, no. 309 (Apr. 2005), p. 20-20-25. Photo essay from a book of the same name
Israel, Kobi. Kobi Israel: intimate strangers. Berlin: Bruno Gmünder, 2005. 96 p. ISBN 3-86187-695-7 ($36.95)
Jefferson, Margo, “Playing on black and white: racial messages through a camera lens,” New York times, Jan. 10, 2005, p. E1, E7. On “White” at the International Center of Photography, New York
Johnson, Ken, “Drawing you into the moral void of gorgeously sensuous sqaulor,” New York times, Mar. 25, 2005, p. E29. On the Larry Clark show at International Center of Photography, New York
Johnson, Ken, “”Peter Hujar ‘Night’ [at] Matthew Marks, 523 West 24th Street, Chelsea, through March 5,” New York times, Feb. 25, 2005, p. E36
Johnston, Jill, “Agnes Martin, 1912-2004,” Art in America, Mar. 2005, p. p. 41, 43
Jonquet, François. Gilbert & George: intimate conversations with François Jonquet. London: Phaidon, 2005. 360 p. ISBN 0-714804435-7 ($49.95)
Kaplan, Janet A., “Flirtations with evidence,” Art in America, Oct. 2004, p. 134-139, 169. On the Atlas Group/Walid Raad, truth, evidence, eroticized targeting, veracity, real truth and constructed truth, document, invention
Kennedy, Sean, “He likes it rough: photographer Michael Alago reveals his ‘rough gods’ in a new book and show,” HX magazine, issue 714 (May 13, 2005),. p. 22-24
Kennedy, Sean, “New century, new art: the Leslie-Lohman Gay Art Foundation goes beyond sex with ‘21st century queer men’,” HX magazine, issue 698 (Jan. 21, 2005), p. 22-23
Kennedy, Sean, “Not that innocent: a Leslie-Lohman photography exhibit focuses on young hustlers,” HX, issue 707 (Mar. 25, 2005), p. 42. On Amos Badertscher show at Leslie-Lohman
Kernan, Nathan, “The painted parables of Robert Schwartz,” Art in America, Fe.b 2005, p. 116-121
Kirwan, Michael, “Perfectly flawed,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 15 (winter 2005), p. 18-19. The artist on one of his drawings and the idea of perfection
Knight, Sam, “I am my own curator,” New York times, Feb. 6, 2005, p. CY4. On Barton Lidice Benes and his plans to leave his collection to the North Dakota Museum of Art in Grand Forks
Koestenbaum, Wayne, “Perspicuous consumption,” Artforum, v. 43, no. 7 (Mar. 2005), p. 195-197. On Susan Sontag
Krach, Aaron. Brian Riley. New York: Leslie-Lohman Gay Art Foundation, 2005. 2 p. In conjunction with “21st century queer men” show
Krach, Aaron. Jarrod Beck. New York: Leslie-Lohman Gay Art Foundation, 2005. 2 p. In conjunction with “21st century queer men” show
Labonte, Richard, “[review of] Lust unearthed: vintage gay graphics from the DuBek collection by Thomas Waugh with Willie Walker, Arsenal Pulp Press,” In newsweekly (Boston), v. 14, no. 22 (Jan. 19, 2005), p. 36
LaBruce, Bruce, “Breastless,” Têtu, no 98 (mars 2005), p. 138-145. Photos, Bruce LaBruce; réalisation, Romain Vallos
LaBruce, Bruce, “Bruce LaBruce from Toronto interviewed in Berlin about punks, fans, faggots, terrorists, skinheads and German ancestors,” Butt, #12 (spring 2005), p. 8-17. Interview by Jop van Bennekom, portraits by Heinz Peter Knes
Landauer, Susan, and Barry Schwabsky. Dream games: the art of Robert Schwartz. San Jose, Calif.: San Jose Museum of Art, 2004. 204 p. ISBN 0938175300 ISBN 0938175319 (pbk) Exhibition catalog
Langa, Helen. Radical art: printmaking and the left in 1930s New York. Berkeley: University of California Press, 2004. 341 p. ISBN 0-520-23155-4
Lauf, Cornelia, “Luigi Ontani at Lorcan O’Neill, Rome,” Art in America, Feb. 2005, p. 138-139
Leslie, Charles, “Intersecting InterseXions,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 15 (winter 2005), p. 13-14. Charles Leslie interviewed by Lester Strong
Levy, Barbara Ann. The Barbara Ann Levy Gallery. Sayville, NY: Barbara Ann Levy Gallery, 2005. 22 p. Interview of Levy by Robert Atkins, with numerous illustrations and list of artists exhibited
Little, Blake. Dichotomy. Studio City, CA: State of Man Publishing, 1996. 82 p. ISBN 1-88077-39-8
Lubell, Sam, “Architecture loses a father figure, Philip Johnson,” Architectural record, v. 193, no. 3 (Mar. 2005), p. 23
Mack, Joshua, “Meeting Micky: the man behind the Wolfsonian collection,” Modern painters, Mar. 2005, p. 86-89
Masson, Michel. La Chapelle Sixtine: la voie nue. Paris: Cerf, 2004. 327 p. ISBN 2204073024
Masson, Michel, “Sweet Sixtine,” Têtu, no. 96 (jan. 2005), p. 22
Mayerhofer, Karl, “Fraternal instinct: boys will be boisterous in Craig Doty’s studies of young men at play,” (not only) blue, issue 55 (Mar. 2005), p. p. 66-73 www.artic.edu/~cdoty
McBreen, Ellen, “Donald Baechler [at] Thaddaeus Ropac, Paris,” Art news, v. 104, no. 3 (Mar. 2005), p. 126, 136
McCourt, James, “Farewell to a friend: recalling the precious, private, unguarded moments of Susan Sontag,” Gay city news (NYC), Jan. 20-26, 2005, p. 17, 30-31
Menking, William, “Johnson comes to New York,” The architect’s newspaper, no. 03 (Feb. 16, 2005), p. 9. In memory of Philip Johnson, with sidebar by Robert A.M. Stern
Meyer, Richard, “After the culture wars: censorship works best when no one knows it’s happening,” Art papers, v. 28, no. 6 (Nov.-Dec. 2004), p. 28-33
Meyer, Richard, “Slasher story,” Art journal, v. 64, no. 1 (spring 2005), p. 32-41. On “Reversing vandalism” at the San Francisco Public Library
Mitchel, Duncan, “The antiquarians,” The gay & lesbian review, v. 12, no. 2 (Mar.-Apr. 2005), p. 37-38. Review of A passion to preserve: gay men as keepers of culture by Will Fellows (University of Wisconsin Press)
Montreuil, Gregory, “Cabin fever,” Gay city news (NYC), Feb. 24-Mar. 2, 2005, p. 18. On “Log cabin” at Artists Space, New York
Nadelman, Cynthia, “Joan Snyder [at] Betty Cuningham and Alexandre,” Art news, v. 104, no. 3 (Mar. 2005), p. 113
Najafi, Yusef, “Influential architect Philip Johnson dies,” New York blade, Feb. 4, 2005, p. 7
Nawrocki, Jim, “Reflections in the deep blue sea,” The gay & lesbian review, v. 12, no. 3 (May-June 2005), p. 39-40. Review of Derek Jarman and lyric film: the mirror and the sea by Steven Dillon (University of Texas Press), with filmography
Nelson, Steven, “Transgressive transcendence in the photographs of Rotimi Fani-Koyode,” Art journal, v. 64, no. 1 (spring 2005), p. 4-19
O’Brien, Glenn, “Remembering Basquiat,” Bklyn, spring 2005, p. 20-24
Ostrow, Saul, “Ray Johnson: hypertexts in real time,” NY arts magazine, v. 4, no. 3 (1999), p. 37-39
Ostrower, Jessica, “China Marks at Luise Ross,” Art in America, Feb. 2005, p. 132
Oswald, Alina, “The culture of AIDS,” A & u, issue 125 (Mar. 2005), p. 28. Review of The AIDS crisis is ridiculous and other writings, 1986-2003 by Gregg Bordowitz (MIT Press)
Ouroussoff, Nicolai, “An [sic] tastemaker propelled by curiosity,” New York times, Jan. 27, 2005, p. C19. “An appreciation” of Philip Johnson
Petenbrink, Troy, “Hello, Dalí,” Washington blade, May 6, 2005, p. 66. On the exhibition at the Philadelphia Museum of Art
Pfeiffer, Paul. Paul Pfeiffer. Edited by K21 Kunstsammlung Nordrhein-Westfalen, with texts by Stefano Basilico, Valeria Liebermann and an interview between Pfeiffer and Thomas Ruff. Ostfildern: Hatje Cantz, 2004. 79 p. ISBN 3775715452 Exhibition catalog
Pierson, Jack. [Untitled artist’s book, produced by photocopy]. ca. 100 p. Available at Museum of Contemporary Art, North Miami, Fla., issued in conjunction with exhibition, 2002
Pierson, Jack. Über die Welt, about the world: Jack Pierson, new work, 1999. Hannover: Sprengel Museum Hannover, 1999. 24 p. ISBN 3-89169-143-6 Exhibition catalog
Pisarra, Drew, “West Chelsea art galleries come out,” New York blade, Feb. 25, 2005, p. 17-18
Potts, Alex, “[review of] Branden Joseph, Random order: Robert Rauschenberg and the neo avant-garde, Cambridge, Mass.: MIT Press, 2003, 418 pp., 103 b/w ills. $34.95,” Art bulletin, v. 87, no. 1 (Mar. 2005), p. 167-170. Addresses lack of treatment on sexuality (Joseph says minimal because that is iconographic or biographical and his intent was formal study)
Powhida, William, “Jason Cole Mager, Michael Yinger, and Jeffery Kilmer [at] Brooklyn Fire Proof,” The Brooklyn rail, Feb. 2005, p. 17
Pujol, Ernesto, “Sally Mann, Jessie and the deer, 1985,” Art news, v. 104, no. 2 (Feb. 2005), p. 115. One of essays by “photographers ... about images that amazed them, inspired them, and taught them a lesson”
Ricco, John Paul. The logic of the lure. Chicago: University of Chicago Press, 2002. 181 p. ISBN 0-226-71100-5 ISBN 0-226-71101-3 (pbk)
Richard, Francis, “Emily Jacir [at] Alexander and Bonin, New York,” Artforum, v. 43, no. 9 (May 2005), p. 244-245
Rieke, Stephanie, “Herbert List [at] Stephen Daiter, Chicago,” Art news, v. 104, no. 3 (Mar. 2005), p. 122, 124
Riley, Brian, “Brian Riley,” Eyemazing, issue 5 (winter 2004), p. 75-84. Nine photos, with essay by Anna Holtzman
Robb, Peter, “Unknown Caravaggio,” Modern painters, Mar. 2005, p. 64-71. On the occasion of exhibition in Naples and London
Robinson, Andrew Cornell, “Subversive personal narratives,” Gay city news (NYC), Apr. 7-13, 2005, p. 27. On “ASSumptions” show at Paul Sharpe Contemporary Art, New York
Robinson, Gerard, “Artists make ‘marry’ in Brooklyn,” New York blade, Jan. 14, 2005, p. 15. On “Gay marriage: New York next?” at Brooklyn Arts Exchange
Robinson, Gerard, “Glamour, anti-glam,” New York blade, Mar. 18, 2005, p. 28-29. On “David Lachapelle: ‘Artists and prostitutes’” at Deitch Projects, “Leah Michaelson: ‘Love undone’” at Leslie-Lohman Gallery, and “ASSumptions” at Paul Sharpe Contemporary Art
Robinson, Gerard, “Not at home in log cabins,” New York blade, Feb. 4, 2005, p. 23. On “Log cabin” at Artists Space, New York
Robinson, Gerard, “Poster boys,” New York blade, Jan. 14, 2005, p. 19. Review of “Rinaldo Hopf” at Art at Large, New York
Rogerson, Stephanie, “Dense, complex beauty: youthful innocence found & lost,” Xtra!, Mar. 31, 2005. Review of “My so-called life” show at Monte Clark Gallery, Toronto www.xtra.ca/site/toronto2/news/body8.shtm
Rogerson, Stephanie, “No Wave’s wake,” xtra!, May 12, 2005. Online at www.xtra.ca/ site/toronto2/news/body12.shtm; part of celebration of 30th anniversary of Art Metropole
Roulette, Todd, “Art by John Bankston,” Venus, v. 11, no. 1 (2005), p. 7-8
Schambelan, Elizabeth, “Peter Hujar [at] Matthew Marks Gallery, New York,” Artforum, v. 43, no. 8 (Apr. 2005), p. 188
Scharfman, Gary, “Illegal to see: the outsider art of Amos Badertscher,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 15 (winter 2005), p. 7-9
Schellenberg, Ken, “Loving friend, Henry James,” Lambda book report, v. 13, no. 04/05 (Nov./Dec. 2004), p. 35. Review of Beloved boy: letters to Hendrick C. Anderson, 1899-1915 by Henry James, edited by Rosella Mamoli Zorzi (University of Virginia Press)
Schulte, Mark, and Tom Saettel, “21st century queer men: artists on the edge, Jarrod Beck, Brian Riley, Marc Van Cauwenbergh,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 15 (winter 2005), p. 1-5
Schulze, Franz, “Philip Johnson 1906-2005,” Art in America, Mar. 2005, p. 35
Schwain, Kristin, “F. Holland Day’s ‘Seven last words’ and the religious roots of American modernism,” American art, v. 19, no. 1 (spring 2005), p. 32-59
Seid, Dui, “Flesh and bone: artist Dui Seid talks to Paul Sendziuk about caring, creating & the politics of making AIDS visible in the early days of the pandemic,” A & u, issue 124 (Feb. 2005), p. 16-17, 28
Shattuck, Kathryn, “An ancient masterpiece or a master’s forgery?” New York times, Apr. 18, 2005, p. E1, E7. On the reattribution by Lynn Catterson of the “Laocoön” to Michelangelo; I knew it looked queer
Sheets, Hilarie M., “Paul Pfeiffer [at] Gagosian and The Project,” Art news, v. 104, no. 3 (Mar. 2005), p. 115
Shoot, self-published artist’s booklet of photography. www.modernpaul.com No. 1 (2005) is photos of Nicolas. $20 at Printed Matter, New York
Sheets, Hilarie M., “A sublime minimalist,” Art news, v. v. 104, no. 2 (Feb. 2005), p. 62. In memory of Agnes Martin, with portrait (ca. 1954) by Mildred Tolbert
Sischy, Ingrid, “The artist formally known for prints: Yinka Shonibare is a doodle dandy,” T: the New York times style magazine. Women’s fashion, spring 2005, Feb. 20, 2005, p. 186-189
Smith, Roberta, “Collisions on canvas that still make noise,” New York times, Mar. 11, 2005, p. E38. On “Basquiat” at the Brooklyn Museum
Smith, Roberta, “Confident as a diva, when you’re a man on the farm,” New York times, Jan. 27, 2005, p. E5. On “What a woman wants” (Reuben Cox’s solo exhibition) at Bespoke Gallery, New York
Smith, Roberta, “Emily Jacir: ‘Accumulations’ [at] Alexander and Bonin, 132 10th Avenue, near 18th Street, Chelsea, through April 9,” New York times, Mar. 25, 2005, p. E31
Smith, Roberta, “Robert Gober [at] Matthew Marks Gallery, 522 West 22nd Street, Chelsea, through April 23,” New York times, Mar. 25, 2005, p. E31
Smith, Roberta, “T.J. Wilcox ‘Garlands’ [at] Metro Pictures, 519 West 24th Street, Chelsea, through Feb. 19,” New York times, Feb. 11, 2005, p. E37