Adams, Bob, “Wes Hempel blends past with present,” Philadelphia gay news, Feb. 18-24, 2000, p. 29, 31, 35
Aletti, Vince, “American women: two photographers investigate domesticity and intimacy,” Village voice, Apr. 18, 2000, p. 69. On Catherine Opie show at Gorney Bravin + Lee and Amy Steiner show at Nicole Klagsburn
Aletti, Vince, “Shot through the heart: the top 10 photography books of 1999,” Village voice, Feb. 8, 2000, p. 67. Includes Mark Morrisroe (Twin Palms), Pictures by Robert Mapplethorpe (Arena), and What was true: the photographs and notebooks of William Gedney (Norton)
Aletti, Vince, “William Gedney: a new view of a photographer who looked at life on the margins,” Out, issue 75 (Feb. 2000), p. 32-33
Arning, Bill, “Out to stud: ‘Manly” proves that being masculine is more than just a guy thing,” Time out New York, Feb. 17-24, 2000, p. 58
“Paul Cadmus,” Metrosource (New York), spring 2000, p. 83
Carr, C., “Bunny hop: for Nayland Blake, a rabbit suit signifies the imponderables of relationships and race,” Village voice, Apr. 25, 2000, p. 54. “What does it mean to say this is the work of a gay man? of a black man? Maybe that changes the meaning of the bunny suit.” On the occasion of an exhibition entitled “Double fantasy” at Matthew Marks Gallery, New York
Cotter, Holland, “Defiantly confronting the plague,” New York times, Jan. 21, 2000, p. E40
Cotter, Holland, “An impresario of menace in simple things,” New York times, Mar. 26, 2000, p. AR1, 44. Robert Gober, on the occasion of exhibition opening at the Hirshhorn and inclusion in Whitney Biennial
Crimp, Douglas, “How to have promiscuity in an epidemic,” Art matters: how the culture wars changed America (New York: New York University Press, 1999), p. 126-153
Culwell, Chris, “[Review of] M: the man who became Caravaggio by Peter Robb,” San Francisco frontiers magazine, v. 18, no. 25 (Apr. 8, 2000), p. 41
Currier, Jameson, “Art appreciation: James Saslow uncovers centuries of gay art,” New York blade news, Jan. 7, 2000, p. 18
Deitcher, David, “What does silence equal now?” Art matters: how the culture wars changed America (New York: New York University Press, 1999), p. 92-125
Delaney, Anngel, “Century of pride: after 100 years, Ruth Ellis still hasn’t stopped dancing,” New York blade news, Jan. 7, 2000, p. 1, 6
Dugdale, John. Life’s evening hour. August Press, 2000; distributed by D.A.P./Distributed Art Publishers. 128 p. ISBN 0-9672484-2-6
Ferguson, Russell. In memory of my feelings: Frank O’Hara and American art. Curated with text by Russell Ferguson. Los Angeles: Museum of Contemporary Art, 1999. 160 p. ISBN 0914357697 Catalog of exhibition at MOCA, Wexner Center for the Arts, Parrish Art Museum
Frueh, Joanna, “Tarts, stars, jewels, and fairies,” Art journal, v. 58, no. 4 (winter 1999), p. 88-89
Gaines, Malik, “Brushes with greatness,” The advocate, issue 811 (May 9, 2000), p. 66-69. On the Andre Miripolsky retrospective at Vincent Price Gallery, East Los Angeles College
Gates, Anita, “Remembering a sensation in Cincinnati,” New York times, Apr. 2, 2000, p. AR34, 40
Giovannini, Joseph, “Raising California,” New York times book review, Mar. 26, 2000, p. 24. Review of Irving Gill and the architecture of reform by Thomas S. Hines (Monacelli Press). Giovannini says the author “makes awkward speculations about Gill’s sexual orientation, stating that the late-married architect might have been bisexual or homosexual”
Goldstein, Richard, “Skin deep: Attila Richard Lukacs paints his dreams,” Village voice, Feb. 15, 2000, p. 61
Gomez, Edward M., “Discovering art with the aura of the outsider,” New York times, Feb. 20, 2000, p. AR42. On Phyllis Kind (gallery owner) and two of her painters (Attila Richard Lukacs and Domenico Zindato)
Gupta, Sunil. Autograph. London: Zetland House, 1998. 32 p. ISBN 1-899282-35-1
Gupta, Sunil. Exiles. London: S. Gupta, 1999. 16 p. ISBN 1-903058-00-7
Gupta, Sunil. From here to eternity. London: Standpoint Gallery, 1999. 16 p. ISBN 1-903058-01-5
Hegarty, Laurence, “Reviews: Sunil Gupta,” New art examiner, v. 27 (Apr. 2000), p. 52. A review of Gupta’s exhibition at Admit One Gallery, New York, with focus on Gupta’s views of what it means to be gay and HIV-infected in India
Hughes, Holly and Richard Elovich, “Homophobia at the N.E.A.,” Art matters: how the culture wars changed America (New York: New York University Press, 1999), p. 233-239
Kaiser, Charles, “A genius and a gentleman,” The advocate, issue 804 (Feb. 1, 2000), p. 59-60. Obituary of Paul Cadmus
Krach, Aaron, “A century both American and queer,” Lesbian & gay New York, Jan. 13, 2000, p. 21, 25. Review of “The American century, 1950-the present” at the Whitney Museum of American Art, New York
Leddick, David. Intimate companions: a triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and their circle. New York: St. Martin’s Press, 2000. 336 p. ISBN 0-312-20898-7 ($29.95)
Lehman, David, “O’Hara’s artful life,” Art in America, v. 88 (Feb. 2000), p. 116-121, 143. On poet Frank O’Hara and the artworks that he inspired and for which he modeled
Lesbian histories and cultures. Edited by Bonnie Zimmerman. New York and London: Garland Publishing, 2000. 862 p. $140.00. Includes Cherry Smyth on contemporary European art, Harmony Hammond on contemporary North American art, Gwendolyn Allen Dean on lesbians and images of lesbians in “mainstream art,” and Tee A. Corinne on photography
Male lust: pleasure, power, and transformation. Kerwin Kay, editor; Jill Nagle and Baruch Gould, associate editors. Binghamton, NY: Haworth Press, 2000 http://www.mlust.com
Mercer, Kobena, “Skin head sex thing: racial difference and the homoerotic imaginary,” Art matters: how the culture wars changed America (New York: New York University Press, 1999), p. 182-209
Monetti, Sal, “Creating a church of Sodom: an interview with artist Josef Kozak,” The archive (Leslie-Lohman Gay Art Foundation), v. 5, no. 1 (spring/summer 1999), p. 1-2
Neher, Gabriele, “[Review of] Caravaggio: a life [by] Helen Langdon, Caravaggio [by] Catherine Puglisi, Caravaggio’s secrets [by] Leo Bersani and Ulysse Dutoit,” The art book, v. 6, no. 3 (June 1999), p. 36-37
Northcross, Wayne, “Relativity, and the mind slipped sideways,” Lesbian & gay New York, Apr. 20, 2000, p. 25. Review of Ron Amato show at Richard Anderson Gallery, New York
Opie, Catherine, “Family affair: renowned photographer Catherine Opie goes on the road to document lesbian families where they live,” The advocate, special issue, Apr. 30, 2000, p. 114-117
Orme, Robert, “[Review of] Adam: the male figure in art [by] Edward Lucie-Smith,” The art book, v. 6, no. 3 (June 1999), p. 42-43
Passaro, Vince, “The last outsider,” New York times book review, Mar. 12, 2000, p. 39. On journals as objets d’art by David Wojnarowicz who used journals by William Burroughs as a model - on the occasion of the reissue in paperback of Wojnarowicz’s Close to the knives: a memoir of disintegration (Grove Press)
Performing the body/performing the text. Edited by Amelia Jones and Andrew Stephenson. London: Routledge Press, 1999. 306 p. ISBN 0-41519-059-2 ISBN 0-41519-060-6 (pbk.) Includes essays by Jonathan Katz, Gavin Butt, Andrew Stephenson, B.J. Wray, Michael Hatt, Reina Lewis and others
Ramakers, Micha. Dirty pictures: Tom of Finland, masculinity, and homosexuality. New York: St. Martin’s Press, 2000. 270 p. ISBN 0-312-20526-0
Robb, Peter. M: the man who became Caravaggio. New York: Henry Holt, 2000
Sanders, Joel, “House for a bachelor,” Metrosource (New York), winter 2000, p. 36-37. House designed by Sanders, appeared in “The un-private house” at MoMA, etc.
Spurling, Hilary, “The other Michelangelo,” New York times book review, Mar. 5, 2000, p. 6. Review of M: the man who became Caravaggio (Henry Holt, 2000)
Staal, Frits, “Sadao Hasegawa’s paradise: master of erotic art remembered,” Bay Area reporter, Mar. 30, 2000, p. 28, 35
Stoner, Joyce Hill, “Andy Warhol and Jamie Wyeth: interactions,” American art, v. 13, no. 3 (fall 1999), p. 58-83
Strong, Lester, “Trial by fire: exploring spirituality, sexuality, and AIDS in the art of Wes Grey Wolf,” A & U, issue 65 (Mar. 2000), p. 40-43, 67
Udé, Iké. Beyond decorum: the photography of Iké Udé. Cambridge, Mass.: MIT Press, 2000. 184 p. ISBN 0-262-52280-2 (pbk.) Catalog of an exhibition at Institute of Contemporary Art, Maine College of Art; OBORO, Montreal; and Harvard University Art Museums
Von Ziegesar, Peter, “Loft life,” Out, issue 75 (Feb. 2000), p. 68-75. On Ross Bleckner’s fabulous loft and paintings
Wojnarowicz, David, “Postcards from America,” Art matters: how the culture wars changed America (New York: New York University Press, 1999), p. 74-81
(N.B. Photocopies of most of the articles listed here are available from the editors for a month or two after the date of this issue. Send your request for a photocopy to Sherman Clarke at the address listed in the editors note.)
And elsewhere on the web ...
Tee Corinne’s web page has moved to http://www.varoregistry.com/corinne/
Creative Time
http://www.creativetime.org
includes listing of past projects, e.g. “Patina du Prey’s memorial dress” by Hunter Reynolds and “Kissing doesn’t kill” by Gran Fury, Day Without AIDS
El Museo del Gayo
http://gladiador.simplenet.com/museo/museo_ing.html (English version)
A Pilgrim’s Progress by Horatio Hung-Yan Law (password: apilgrim’sprogress)
http://www.gatherround.com/u26749a44549papilgrim%27sprogress.invt